Bollywood veteran Madhuri Dixit has once again proven her global appeal as her latest Netflix film “Maa Behen” surged to the No. 2 spot on Netflix’s Global Top 10 Non-English Films chart, just a week after its worldwide release.
The crime-comedy, which also stars Triptii Dimri, Dharna Durga, and Ravi Kishan, has quickly gained international traction, trending across 15 countries, including regions in Asia, the Middle East, and Europe.
Released globally on June 4, 2026, the film has seen an impressive rise in viewership, marking one of Netflix India’s strongest international performances this year.
The movie is directed by Suresh Triveni and produced by Vikram Malhotra under Abundantia Entertainment, a production house known for delivering globally resonant Indian content.
Industry observers say the rapid rise in rankings reflects the growing demand for Indian storytelling on global streaming platforms.
About the film
“Maa Behen” is a crime-comedy that revolves around three complex and flawed women navigating chaotic circumstances with humor and resilience.
The film blends emotional storytelling with satire and crime elements, making it appealing to both domestic and international audiences.
Producer reacts to global success
Speaking about the film’s performance, Vikram Malhotra, Founder & CEO of Abundantia Entertainment, expressed pride over the response:
“The response to Maa Behen is deeply gratifying. More than the numbers, what moves me is the conversation the film has sparked and the love it is receiving globally.”
He further emphasized that the film’s success proves that “authentically Indian stories can resonate across cultures when told with conviction and craft.”
Part of a bigger slate
Maa Behen is the first of two Netflix Original projects from Abundantia Entertainment in 2026. The studio’s upcoming slate also includes the series “Family Business,” starring Anil Kapoor and Vijay Varma.
The film’s strong performance highlights Netflix’s continued push for regional content with international appeal. Its trending status in multiple countries underscores the increasing global visibility of Indian cinema.
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